TITANIUM, AGONY AND TRANQUILITY: THE TRANSCENDENCE OF WALLACE CHAN

A MONUMENTAL STORY OF SUFFERING, SEARCH FOR MEANING, ACCEPTANCE AND REBIRTH

Three decades back, Wallace Chan, plagued by a brutal headache in Tibet, heard inside his painfully suffering head an internal melody, an experience that resurfaced when curator James Putnam introduced him to Brian Eno's music. This auditory memory served as the genesis for "Transcendence," Chan's latest exhibit in Venice.

Today, in the Chapel of Santa Maria della Pietà (Chiesa di Santa Maria della Pietà), Chan's gigantesque titanium sculptures, dangling from above, bearing expressions akin to Munch's anguish, coexist with Eno's haunting tunes. 

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THE SECRET LIFE OF FUNGI BY NATALIA ABRAMISHVILI

HAND-BUILT FORMS TRACING THE QUIET NETWORKS THAT CONNECT LIFE, DEATH, AND HOPE

The World of Fungi is a ceramic collection that brings to life the hidden beauty and mystery of one of nature’s most powerful forces: mushrooms.

The artist behind the work, Natalia Abramishvili, has long been fascinated by fungi: an organism that is everywhere, silently shaping our world. They create soil, heal, regenerate, and at the same time, embody decay. They live in a paradox: both life-giving and life-taking, a reminder of the endless cycle of nature. 

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BETWEEN THE SEEN AND THE UNSEEN: THE DREAMSCAPES OF TINUS VERMEERSCH

A WALK THROUGH THE SHIFTING FORMS, MEDITATIVE SOLITUDE, AND TRANSFORMATIVE LANDSCAPES, WHERE NOTHING IS FIXED EXCEPT THE ACT OF BEING

Tinus Vermeersch, a Belgian artist who moves fluidly between the surreal and the everyday, offers an invitation to embrace the unknown. 

It is a journey inward: an excavation of the subconscious, where shifting forms and disquieting landscapes conjure a world in flux. His "tegumen" motifs, organic and hair-like, have become a signature, symbolizing protection, transformation, and the passage of time. The word tegumen in Latin means "protection" or "cover," further deepening the layers of meaning in these recurring forms, pulsing with change, fragility, and a meditative impermanence.

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THE SEDUCTIVE AND FRIGHTENING, TENDER AND VORACIOUS MONSTERS OF MARGAUX COMPTE-MERGIER

WHEN BRONZE OXIDIZES AND AI FAILS: A CONVERSATION ABOUT EMBRACING THE UNPREDICTABLE AND MASTERING THE ART OF NONMASTERY

Born in Paris in 1994, Margaux Compte-Mergier is a sculptor, performer, and author whose hauntingly hybrid creatures blur the boundaries between the organic and the artificial, the digital and the mythological. Based between Berlin and Paris, and with a background in the theory and practice of lanuage and the arts (EHESS, Paris), she is currently represented by RÍO & MEÑAKA gallery, and has exhibited widely across Europe and Mexico, with recent solo shows at Tignous Contemporary Art Center in Montreuil and Exgirlfriend Gallery in Berlin.

Margaux's practice is marked by a fascination with transformation, digital glitches, and the aesthetics of chance. She creates what she calls "monsters that hold together our contradictions”—tender and voracious beings made of resin, metal powders, and everyday detritus. As she herself pointed out during our conversation at her recent exhibition at ARCO Lisboa, "they are a bit creepy but also kinda cute". 

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NINA KHEMCHYAN: UN JOUR AU PARADIS—A JOURNEY INTO THE SACRED

SPHERES OF THE SOUL EXPLORING MEMORY AND CREATION. AN INTERVIEW WITH THE ARTIST

There are moments when the world pauses. When touch, memory, and spirit align in a single, quiet gesture. 

Nina Khemchyan, an artist whose hands have spent decades shaping the very clay of the earth, invites us into such a moment. Her latest work, UN JOUR AU PARADIS—“A Day in Paradise”—is a journey into the intimate: the earth beneath us, the material that holds our memories, and the sacredness of the process of creation itself.

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THE PHANTASMAGORIC OTHERWORLD BY VUKADIN FILIPOVIĆ

AN INTERVIEW WITH A YOUNG ARTIST WHO MADE ME STARE INTO MY OWN SUBCONSCIOUS

Humorously horrific, colorfully grim, melancholically blatant, phantasmagoric and grotesque, to the point of looking nearly hallucinatory. The surreal paintings of Vukadin Filipović, a young Serbian artist, currently living and working in Vienna, are attractive and disturbing at the same time.

I stopped next to his works at Vienna Contemporary, and instantly dreamt away, wondering in the back of my mind: who are they, these creatures and those people? This cute doggie with terrifyingly empty blue eyes. This fluffy, soft beast with ridiculously long, bloody fangs. These young, exaggeratedly laid-back bohemian men; this elegant, sad woman with empty, red eye sockets. Where are they, and where am I?

So I decided to ask the artist himself.

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THE MARBLE FAUN

METAMORPHOSIS AND MYTH: THE LIMINAL WORLDS OF STEPHANIE LUCCHESE
Stephanie Lucchese. The Marble Faun. (Image courtesy: Stephanie Lucchese) Life starts with a woman. The Marble Faun by Stephanie Lucchese is a striking vision of transformation,...
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SCULPTING THE UNSPOKEN: AN INTERVIEW WITH VERONICA ROMANO

ONCE UPON A TIME IN THE WORLD OF FRAGMENTS, RITUALS, SILENCE AND CREATION

In the busy heart of Buenos Aires, a child named Veronica was born. From the very start, she was enchanted by the city’s juxtaposition of grandeur and decay, where the monumental met the impermanent.

As Veronica grew, she became a seeker of fragments, gathering broken tiles from forgotten courtyards, shards of glass that glimmered like secrets, the remnants of stories left untold. The world spoke to her through these fragments, promising that within every crack lay a portal to new dimensions.

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WHO IS HE: THE THIRD PERSON OF FERDINAND DÖLBERG?

A CLOSER LOOK AT THE PAINTINGS EXPLORING COLLECTIVE CONSCIOUSNESS

A symbolic triangle in the center of everything. The presence of the four and the square. The dominance of the green – the color of transition. The pinkish color of disgust. The trapped spirit in the form of a bird. Covered heads – like a symbol of losing freedom. The materialistic world with no chance for peace, the white flags are down. 

A mesmerising work by Ferdinand Dölberg. Should we scan it for the speckles of symbolism? Decode? Or just peacefully observe? 

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SPINNING DREAMS INTO STORIES AND WEAVING STORIES INTO DREAMS: CLAUDIA ALARCÓN

A TEXTILE ARTIST PRESERVING TRADITIONAL CRAFT IN THE MODERN WORLD

There is a legend. Beautiful women lived as stars in the sky. Once in a while they descended to earth using woven chaguar ropes to eat fish caught by fishermen. Men discovered this and used birds to cut the ropes, trapping the celestial beauties on earth. So the women stayed. Not only they stayed, but continued weaving and passed on their heavenly knowledge to their daughters.

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