THE SEDUCTIVE AND FRIGHTENING, TENDER AND VORACIOUS MONSTERS OF MARGAUX COMPTE-MERGIER

WHEN BRONZE OXIDIZES AND AI FAILS: A CONVERSATION ABOUT EMBRACING THE UNPREDICTABLE AND MASTERING THE ART OF NONMASTERY

Born in Paris in 1994, Margaux Compte-Mergier is a sculptor, performer, and author whose hauntingly hybrid creatures blur the boundaries between the organic and the artificial, the digital and the mythological. Based between Berlin and Paris, and with a background in the theory and practice of lanuage and the arts (EHESS, Paris), she is currently represented by RÍO & MEÑAKA gallery, and has exhibited widely across Europe and Mexico, with recent solo shows at Tignous Contemporary Art Center in Montreuil and Exgirlfriend Gallery in Berlin.

Margaux's practice is marked by a fascination with transformation, digital glitches, and the aesthetics of chance. She creates what she calls "monsters that hold together our contradictions”—tender and voracious beings made of resin, metal powders, and everyday detritus. As she herself pointed out during our conversation at her recent exhibition at ARCO Lisboa, "they are a bit creepy but also kinda cute". 

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NINA KHEMCHYAN: UN JOUR AU PARADIS—A JOURNEY INTO THE SACRED

SPHERES OF THE SOUL EXPLORING MEMORY AND CREATION. AN INTERVIEW WITH THE ARTIST

There are moments when the world pauses. When touch, memory, and spirit align in a single, quiet gesture. 

Nina Khemchyan, an artist whose hands have spent decades shaping the very clay of the earth, invites us into such a moment. Her latest work, UN JOUR AU PARADIS—“A Day in Paradise”—is a journey into the intimate: the earth beneath us, the material that holds our memories, and the sacredness of the process of creation itself.

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THE PHANTASMAGORIC OTHERWORLD BY VUKADIN FILIPOVIĆ

AN INTERVIEW WITH A YOUNG ARTIST WHO MADE ME STARE INTO MY OWN SUBCONSCIOUS

Humorously horrific, colorfully grim, melancholically blatant, phantasmagoric and grotesque, to the point of looking nearly hallucinatory. The surreal paintings of Vukadin Filipović, a young Serbian artist, currently living and working in Vienna, are attractive and disturbing at the same time.

I stopped next to his works at Vienna Contemporary, and instantly dreamt away, wondering in the back of my mind: who are they, these creatures and those people? This cute doggie with terrifyingly empty blue eyes. This fluffy, soft beast with ridiculously long, bloody fangs. These young, exaggeratedly laid-back bohemian men; this elegant, sad woman with empty, red eye sockets. Where are they, and where am I?

So I decided to ask the artist himself.

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THE MARBLE FAUN

METAMORPHOSIS AND MYTH: THE LIMINAL WORLDS OF STEPHANIE LUCCHESE
Stephanie Lucchese. The Marble Faun. (Image courtesy: Stephanie Lucchese) Life starts with a woman. The Marble Faun by Stephanie Lucchese is a striking vision of transformation,...
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SCULPTING THE UNSPOKEN: AN INTERVIEW WITH VERONICA ROMANO

ONCE UPON A TIME IN THE WORLD OF FRAGMENTS, RITUALS, SILENCE AND CREATION

In the busy heart of Buenos Aires, a child named Veronica was born. From the very start, she was enchanted by the city’s juxtaposition of grandeur and decay, where the monumental met the impermanent.

As Veronica grew, she became a seeker of fragments, gathering broken tiles from forgotten courtyards, shards of glass that glimmered like secrets, the remnants of stories left untold. The world spoke to her through these fragments, promising that within every crack lay a portal to new dimensions.

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WHO IS HE: THE THIRD PERSON OF FERDINAND DÖLBERG?

A CLOSER LOOK AT THE PAINTINGS EXPLORING COLLECTIVE CONSCIOUSNESS

A symbolic triangle in the center of everything. The presence of the four and the square. The dominance of the green – the color of transition. The pinkish color of disgust. The trapped spirit in the form of a bird. Covered heads – like a symbol of losing freedom. The materialistic world with no chance for peace, the white flags are down. 

A mesmerising work by Ferdinand Dölberg. Should we scan it for the speckles of symbolism? Decode? Or just peacefully observe? 

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SPINNING DREAMS INTO STORIES AND WEAVING STORIES INTO DREAMS: CLAUDIA ALARCÓN

A TEXTILE ARTIST PRESERVING TRADITIONAL CRAFT IN THE MODERN WORLD

There is a legend. Beautiful women lived as stars in the sky. Once in a while they descended to earth using woven chaguar ropes to eat fish caught by fishermen. Men discovered this and used birds to cut the ropes, trapping the celestial beauties on earth. So the women stayed. Not only they stayed, but continued weaving and passed on their heavenly knowledge to their daughters.

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THE INCARNATION OF SNAKE BY CLÉMENT BATAILLE

CONTEMPORARY ART AT THE INTERSECTION OF SACRED RITUALS AND MODERN IMAGERY

Clément Bataille’s art breathes a mystical, dreamlike tension, where sacred rites and childhood memories intermingle in silent figures and dark, reverent spaces. Each painting feels like a confined world barely holding its secrets, a reverent yet tender rebellion, both intimate and magnificent.


A historian by education, a painter and a ceramicist, Bataille likens his artistic process to the disciplined repetition of a mediaeval copyist monk. Influenced by Italian primitive art and Byzantine icons, his work often juxtaposes the structured beauty of these traditions with modern digital imagery.

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IN THE SPIRIT OF RED: GEORG BASELITS

THE UPSIDEDOWN WORLD

Painting by Georg Baselitz. "Reiter Im Schnee" ("Rider in the Snow").

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IN THE SPIRIT OF RED: KAMI MIERZVVINSK

A DROP OF RED TO SHOW SOMETHING THAT CANNOT BE NAMED

Moving through their studio, Kami Mierzvvinsk creates a story which each of us can interpret as their own: each brushstroke a quiet invocation, each canvas a portal to something just out of reach.

They paint from memory. But not from memories they could name. It is the memory of things felt but never seen, a whisper of the world beyond the senses, a place the soul had known before the body took shape.


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