Where do rainbows come from

From the jolly jewelry by Luisa Alexander and fun paintings by Julie Cockburn

Monochromatic looks are forever elegant and safe. But there is always space and reason for color, which can be integrated onto any image or design. Like the vibrant palimpsests by Julie Cockburn, where she layers and adds new colors and angles to portraits, proving that a photograph can be something else—and something more—than just an authentic reflection.
Eye-catching rainbow jewelry by Luisa Alexander also has something refreshing to say. And this word is: happy. Besides being very practical, fitting every style and clothing palette, rainbow jewelry is the ultimate mood maker, keeping your spirits up and brightening your day.
Do not miss your rainbow catch at the Moda Operandi trunk show!

A modern fairytale by Aisha Baker and Hoonik Chang

What if you were gifted a present so beautiful you hold your breath while unwrapping it. So delicate you dare not blink while watching its allure unfold. So tempting you want to see it again the very moment you’ve looked away.

The ‘Cadeau’ series by the expert jewelry duet Aisha Baker and Hoonik Chang is a one-of-a-kind, limited-edition marvel, a Present to a modern woman, accomplished and realistic yet still enchanted by the magic lingering in the world.
The fairytales are anything but forgotten. Reinvented by the artistic duo through precious and peculiar materials, imaginative and eccentric designs, perfect asymmetry and advanced techniques, they take a physical form of colorful, delicious, exuberant and happy pieces. Red, pink, yellow, blue, gold and white, little crowns, hearts, lips and stars—the castles, clear skies, princesses, romantic stories we were told as kids, still alive at the back of our minds.
The ribbons of the Cadeau Pink earrings, a ‘present’ in yellow gold, enamel, diamonds and lemon quartz, wrap around the sublime fantasies hovering in the air, swinging to the gentle footsteps of a modern woman, open to the beauty and art of enchantment.

Jewelry & art. Some things are not what they seem by Bea Bongiasca and Guim Tio

The clash of fresh ideas and unorthodox creativity in the jewelry by Bea Bongiasca and paintings by Guim Tio, two young, fun and standout artists…

Two young artists, clever and ironic, playful and honest. Their sense of humor and attitude break through the surface of their creations: the punny wordplay and ideas behind Bea’s collections, the way Guim refurbishes fashion images and inhabits his imaginary landscapes with faceless, miniscule human figures.

By mixing and matching her fondness for Eastern aesthetics with Western cosmopolitan tastes, the Milanese jewelry designer Bea Bongiasca jazzes up her intercultural philosophy and imprints a whimsical, perky and young style into her witty collections ‘No Rice, No Life’, ‘Fluoricultural’, ‘You’re So Wine!’, ‘A Golden Lesson’, ‘Happy Go Cola’.

‘Colorful, pop and ironical’ are the three words Bea chooses to define her creative ideology. Using the knowledge she gained during her trips across Asia, she dove into artistic studies, picking jewelry over sculpture. The result is a petite, adorable fantasy world and a micro-sculpture from a carefree dreamland in every piece. Gold and colorful enamel wines, adorned with vibrant gems, create an illusion of smooth and soft movement. They wrap around your fingers, gently sway in your ears, dynamic and lively, breezy and sweet. New lines, new playful approach to jewelry, bold pop look with a good feminine sense of humor,—to lift your spirits!

The Barcelonan painter Guim Tió Zarraluki performs a reverse—darkly humorous, tragicomically provocative—cosmetic surgery on images from fashion magazines: the images are treated with chemicals and oil pastels, altering the beautiful, pop-cultural faces, photoshopped to perfection,  resulting in anonymized, abstract, disturbing portraits with bulgy eyes, grotesque noses and animalistic smiles, or even completely covered in multicolored stripes or bubbles, leaving only a small part of the original image untouched. Like an allegory of people undergoing excessive cosmetic surgery: becoming someone (or something) else in their eloquent attempts to look like a made-up, nonexistent ideal. 

Guim’s landscapes, on the other hand, breathe melancholy and serenity, loneliness and peacefulness. Depending on your personality or mood, you may see them as sad or happy, depressing or cool. In the field, in a hammock, at a midnight gas station, in the middle of a lake, at a lighthouse, under the turquoise skies, in the malachite water, on the khaki grass and salmon sand, at the foot of the asphalt grey mountains, little humans are lost—or found?—amidst colossal spaces.

Two young, colorful, full-blooded artists. Bea—the eponym of joy and vitality, sublime and effortless femininity, and Guim—the messenger of the true nature of things, so eerily appealing and borderline spooky, both ingenious in their sense of beautiful and humorous, in the way they see art. 

Look closer. What do you see?