THE ART OF EXQUISITE JEWELRY IN THE CINEMA AND ON THE RED CARPET
- Tell me. What did you do before?
From the movie Algiers
- Before what?
- Well, before the jewels.
- I wanted them.
Showing off exquisite jewelry on the red carpets of film festivals is a glamorous, time-honored tradition. Each piece of jewelry, crafted with years of dedication and skill, now worn by some of the most captivating women and men in the world, is a pinnacle of artistry and craftsmanship, a masterpiece that deserves its moment in the spotlight.
Each jewel carries a narrative, a history, and a vision that deserve to be shared, allowing audiences to see beyond the sparkle and recognize the profound artistry.
I always say a kiss on the hand might feel very good, but a diamond tiara lasts forever.
From the movie Gentlemen Prefer Blondes
Cartier's Cinematic Debut
Cartier's first significant appearance on the silver screen was in 1926, in the film The Son of the Sheik, starring the legendary Rudolph Valentino, who convinced the director to let him wear his Tank watch, marking the beginning of Cartier's illustrious association with Hollywood. In 1946, Josette Day famously cried diamond tears, crafted by Cartier, in Jean Cocteau's Beauty and the Beast. Later, Gloria Swanson dazzled audiences in Sunset Boulevard (1950) adorned with two spectacular Cartier's diamond and rock crystal bracelets.
The Great Gatsby
In the 1974 adaptation of The Great Gatsby, Daisy Buchanan wore Cartier's opulent marquise ring and the exquisite 'Love Birds' brooch—parrots made of rubies, onyx, and diamonds symbolizing Daisy and Jay.
For the 2013 adaptation, sumptuous jewelry was provided by Tiffany & Co., with the memorable Daisy's 'Savoy headpiece', featuring freshwater pearls and over 25 carats of round brilliant diamonds arranged to resemble feathers, highlighting the film's luxurious aesthetic.
- Don't you just love it?
From the movie Breakfast at Tiffany's
- Love what?
- Tiffany's!
The Iconic Elegance of Breakfast at Tiffany's
The jewelry worn by Audrey Hepburn's character, Holly Golightly, in Breakfast at Tiffany's (1961) has become legendary in its own right. The promotional photos of Hepburn wearing the famed Tiffany Diamond—a 128.54-carat yellow diamond with 82 facets—cemented the film's place in jewelry history.
Over the years, the Tiffany Diamond has been worn by only three women: Mrs. E. Sheldon Whitehouse at the 1957 Tiffany Ball, Audrey Hepburn for the iconic movie's photoshoot, and Lady Gaga at the 2019 Oscars when she was nominated for A Star Is Born.
My Fair Lady: Transformative Glamour
In My Fair Lady, Eliza Doolittle's transformation from a flower girl to a high society lady is epitomized by the jewelry she wears. In a pivotal scene, Eliza is adorned in a high-necked choker and a tiara by Chaumet. The open-work choker, featuring graduating swags, covered her entire neck, capturing the essence of her character's metamorphosis.
A Breath of Fresh Air in Modern Cinema
As movies increasingly lean towards special effects, computer-generated imagery, and other digital enhancements, there is a growing appreciation for the "live" performance of actors: the sight of genuine emotions on the screen, free from overly diligent computer editing. Viewers return to cherishing actors who look like real people, complete with wrinkles, imperfect smiles, and authentic bodies, rather than the flawless, standardized, Barbie-like figures often seen in highly edited films and animations.
I adore wearing gems, but not because they are mine. You can't possess radiance, you can only admire it.
Elizabeth Taylor
The Modern Luxury Consumer: Beyond "Standard" Diamonds
Only by a long stretch of the imagination can one call a diamond, especially an exceptional one, "standard".
However, contemporary luxury consumers desire more than "just" diamonds; they seek unique pieces that express individuality and artistry. According to Ravi Dhar, a professor of management and marketing at the Yale School of Management, luxury consumers have dual goals: to belong to an exclusive club and to differentiate themselves from others. Wearing luxury items without bold, widely known logos allows them to signal sophistication to those "in the know."
Patrizia Calefato, a professor of sociology of culture at the University of Bari, notes that contemporary luxury leans towards cultural exclusiveness. Jewelry as a mere status symbol has become less fashionable. Consumers now seek pieces with a cultural dimension and a story, reflecting their unique identities and personal narratives.
I love jewelry – gold and diamonds. I’m a woman.
Monica Bellucci
Unique Jewelry Designers
On the contemporary luxury market, several jewelers stand out for their exquisite, unusual, yet timeless creations. Jewelry designers and artists like Marie Lichtenberg, Suzanne Syz, Luz Camino, Ilgiz Fazulzyanov, Le Sibille, Nicholas Varney, Silvia Furmanovich, Nak Armstrong, Feng J, Anabela Chan, and Taffin offer pieces resonating with today's discerning luxury consumers, who seek jewelry that stands apart from conventional designs.
We live in an era where authenticity and uniqueness are at risk of becoming extinct, yet are simultaneously highly valued.
In the movies, jewelry remains a powerful and delicate storytelling tool, enhancing characters, settings, and narratives, individuality and expression.
So what happens next?
Will we be seeing more of such unique, storytelling jewels on the international red carpets, like the Cannes Film Festival and Venice International Film Festival?
I adore wearing gems, but not because they are mine. You can't possess radiance, you can only admire it.
Elizabeth Taylor